Ashley MacIssac, the Juno award-winning fiddler from Cape Breton Island, performed for a sold-out audience at Live! At Filberg Park Aug. 24. Known for some outlandish behavior in the past, there was nothing controversial about his Filberg performance, except that he did seem distracted with his phone at first by trying to stream the event live on Facebook. Interesting fact: he plays a right-handed fiddle left-handed.
The Vancouver-based world music group Delhi 2 Dublin opened the Filberg Festival main stage with an SRO performance Friday night. The group bills its unique musical style as, “a fusion of Bhangra, Electronic, Funk, Dub Reggae, Hip Hop, Celtic music and a mash up of other genres.” The festival continues Saturday and Sunday.
The Tribal Canoe Journeys landed at the point of Comox Spit today. Members of the K’omoks First Nations welcomed several dozen canoes carrying about 100 families from the Northwest Coast. They are enroute to Campbell River later this week where the ceremonial gathering will culminate. (Click any photo to start the slideshow.)
A Comox Valley website regularly used by more than 300 community service groups has changed ownership.
Pieter Vorster, the founder of Pod Creative, has assumed responsibility for TideChange.ca, from the nonprofit World Community, and plans to expand its reach to a variety of secondary audiences.
This third iteration of TideChange will continue to fill an important need for nonprofit organizations.
A lack of consistent attention from the news media has always been the bane of community service organizations. The ability to publicize news and events beyond their devoted membership affects how successfully they find volunteers, raise funds and create community action … and avoid getting in each other’s way.
But small-town newspapers and broadcast outlets don’t have the space or time to publish everything that every community group is doing.
Chris Hillar, a former Department of Fisheries and Oceans employee, now retired, recognized back in the mid-2000s that Comox Valley non-governmental organizations needed an information hub. So he started a weekly email newsletter with information about the nonprofits he knew.
Nine years ago, the World Community Development Education Society picked up the idea and created TideChange as an online outlet for local groups to post their news and events. They employed a part-time editor, Angela Burns, to manage the site.
In just the last few years, Comox Valley groups have posted more than 4,000 articles on the website.
But this year, Burns retired from TideChange and World Community decided it had grown the website to the point where it could become self-sustaining.
On June 1, Vorster, also a volunteer with World Community, took on full ownership and management of the website. Now that the Comox Valley has only one news gathering organization and the demise of another local publication, InFocus, Vorster sees “a real need for alternative news.”
Vorster says TideChange will continue its original mission of publishing the news and information from community groups, and providing a community calendar of their events. While the community-at-large uses the calendar, the groups themselves also use it to avoid scheduling overlapping events.
But he also believes that it’s time to grow the website’s audience.
“With 3500+ regular monthly visitors, who tend to visit between 3 and 4 pages on our site, we have secured our target audience,” he said. “We believe that it is time now to grow our reach and include a variety of secondary audiences, who might even produce citizen journalists looking for an outlet for their media contributions
“Over the next few months we might expand … including a more comprehensive list of news posts and/or calendar entries from the community, in the aim of extending our reach and therefore the value of the service we provide. That having been said, we have every intention of stubbornly persisting with the underlying values of TideChange, keeping it close to the vision I helped build over these past years.”
Vorster said TideChange will “continue to function as a community connecting resource. Our community calendar features feeds from a variety of active local orgs, and remains a popular draw – for those planning their social activities and those producing/presenting those activities.”
Vorster became involved with TideChange through World Community, which he voluntarily assisted in their own website development.
Vorter has degrees in communications and dramatic arts from the University of the Orange Free State and a diploma in Creative Writing from the AAA School of Advertising (Cape Town, South Africa). He cut his teeth as a professional copywriter for three years at Saatchi & Saatchi.
Vorster became Managing Editor of FYI South – a bilingual city guide in Taiwan focusing on the southern region of the island. He moved to the Comox Valley with his wife, Caila and his daughters Juniper and Wren, in late 2008, and launched his home-based business (now Pod Creative).
Author’s note: I have served on the TideChange Advisory Committee for the past six months during this period of transition.
Contrary to the popular cliche, a person never gets too old to learn something new. I’m old, and this week I learned that I may have over many decades inappropriately appropriated African-American culture.
As a teenager growing up in the 1960s, I listened to Elvis on my transistor radio and 45 rpm vinyl discs. I picked a jazz album as my first purchase through the Columbia Record Club. And later, I devoured the music coming out of England by The Rolling Stones, The Animals and The Beatles.
All of these musicians had one thing in common: They were white people who appropriated musical styles unique to African-Americans.
Blues and jazz originated in the American South among the slaves and descendents of slaves picking cotton and other crops. Blues, and to some extent also jazz, was a mash up of African chants and drumming, church hymns and Appalachian folk music, which itself evolved into what we call ‘country’ music today.
Blues and jazz music inspired me. I understood it and naturally felt the underlying rhythms. This music formed the core of my own musical journey playing in jazz and blues-rock bands for over 40 years.
Did I unknowingly participate in cultural appropriation? Based on the events of the last few weeks, it’s a question I am pondering.
This painting by Amanda PL. At the top of this post is a painting by Norval Morisseau.
First, a Toronto gallery cancelled the upcoming show of a white artist, Amanda PL, who paints in the 1960s Woodlands style, which is unique to the Anishinaabe people. She discovered the style while living and taking Native studies and art education stories in Thunder Bay, Ont.
Aboriginal people protested the show because they say the artist appropriated indigenous culture and art. She says the style simply speaks to her.
But there’s no doubt that the content of many of Amanda’s paintings closely resemble — perhaps, too closely — the work of famed Anishinaabe artist, Norval Morrisseau.
To put it bluntly, the pieces of Amanda’s work that I have seen appear to copy the style and also the content of Anishinaabe artists. There’s little-to-no attempt to apply the style to new content.
And this is what bothers Chippewa artist Jay Soule. He says:
“What she’s doing is essentially cultural genocide, because she’s taking his stories and retelling them, which bastardizes it down the road. Other people will see her work and they’ll lose the connection between the real stories that are attached to it.”
Second, the editors of two Canadian magazines resigned over separate middle-school level personal columns about cultural appropriation.
Hal Niedzviecki, the editor of The Write, a writing trade magazine, wrote a mind-numbing introduction to an edition dedicated to indigenous writing that encouraged white people to write about “what they don’t know” and “people who aren’t like you.”
He concluded by suggesting a prize for the best example of cultural appropriation in Canadian literature. Other people joined the frat house fun, including the editors of the National Post, CBC and Maclean’s, who all later apologized. The editor of The Walrus resigned after writing a column support Niedzviecki.
Most writers have a measure of regret over something we have written. But Niedzviecki’s piece should win the Dumb Award. You don’t achieve greater understanding of indigenous culture from writers who don’t know anything about it. For that, he should have encouraged the publication of more indigenous authors.
Serious issues often arise from thoughtless actions. And that’s the case here. Whether Amada PL copied Morrisseau’s work or was simply inspired by it, and despite the inane ramblings by editors of two obscure publications, it’s worth having a conversation about cultural appropriation.
Artists in all mediums have always taken inspiration from other artists and cultures. Van Gogh and Gauguin influenced each other. The Beatles early work appropriated the styles of Chuck Berry and Carl Perkins.
So, how far do we want to take the concept of cultural appropriation? Should we boycott a Ramen noodle shop because a white guy is cooking this unique Asian dish? Must all sushi chefs be Japanese?
I’m not sure where the hard lines get drawn in this debate, but when, as a friend put it, “people of an exploited/excluded group complain about those of us who pack around all the privilege that our society conveys,” we had better listen closely.
Not many people who moved to the Comox Valley for its small-town feel, access to recreational opportunities or the lively arts scene imagined heroin addicts injecting themselves in public places or one person dying almost every month from an opioid overdose.
But these things are happening here.
The Chambers of Commerce and elected officials don’t want to draw undue attention to this grim reality, but it has become too big to ignore.
More than 150 people died from opioid overdoses on Vancouver Island last year. Although more people died in the larger centres of Victoria and Nanaimo, the North Island (including the Valley) had the highest rate of increase — up 156 percent over last year — in overdoses. Ten people died from overdoses over the past 12 months in the Comox Valley.
And Island Health believes the overdose statistics are actually worse, and that many overdoes go unreported. And heroin kills more people than official death certificates indicate. That’s because heroin metabolizes as morphine, so toxicology reports in overdose cases often list morphine or an opiate as the cause of death.
Opioid deaths have increased sharply because most street heroin today contains fentanyl, which is up to 100 times more powerful than heroin. Just a speck of fentanyl the size of a few grains of salt can kill a 113-kilogram (250-pound) person.
Island Health Medical Health Officer Charmaine Enns told the Courtenay City Council this week that her agency hopes to reduce the Valley’s overdose death rate by opening a safe injection site where trained personnel could administer rescue breathing or Naloxone, a drug that can reverse an opioid overdose.
But these sites are misnamed and give the public a false impression. Island Health staff cannot prevent someone from overdosing, which occurs nano-moments after the drug is injected. They can only prevent the overdosed person from dying.
Enns said the supervised injection site at the offices of Island Health or some other provincial agency will allow staff to interact with users and offer mental health counselling and other services. That’s a good thing, and so is giving people a chance to live another day and get their life back on track.
But there are potential downsides.
To keep people suffering from addiction coming back to the clinics, Island Health staff might have to offer users less addictive drugs, such as methadone, and potentially dispense stronger drugs. If that does occur, the public may have a strong reaction.
The sites also put staff at risk because even a small amount of fentanyl is deadly if it’s absorbed through the skin or inhaled when airborne. Fentanyl’s potency has already harmed first responders from New Jersey to Vancouver.
The public should know what safeguards are in place to prevent this from happening here.
City of Courtenay firefighters have agreed to voluntarily respond immediately to serious medical calls, which includes overdoses. But they will only do so if they are equipped with Naloxone nasal spray, supplied by either the province for free or if the City Council agrees to purchase it.
They will not, in other words, participate in using needles to inject Naloxone, sometimes known by its commercial name, Narcan. To do that increases the chance of contacting fentanyl or needle injuries.
The extent of the heroin addiction problem has been partially hidden because today’s users are often middle-income, white, and no longer habitues of the gritty alleys of urban areas. The use of heroin and other opioids has moved into suburbs and small towns.
Island Health reports that overdose occurrences are widespread across the entire Comox Valley.
All over the province and across North America, people hooked on prescription painkillers find heroin easier to acquire and less expensive. If that wasn’t alarming enough, heroin use has become popular among school-aged teens. U.S. studies show that 3 percent of high school students are using heroin today.
The province was right to declare a public health emergency over the opioid problem. But whether the ministry’s plan just treats symptoms, or provides a lasting solution remains to be seen.
Even though safe injection sites raise troubling questions about enabling addiction rather than treating it, doing nothing is not an option when so many deaths can be prevented.
At the very least, we can learn from this effort, change course based on what is learned, and, at the same time, start thinking a whole lot harder about what it would take to prevent people from becoming addicted in the first place.